DJI has always been a reliable — and largely the only one — option in the world of small handheld cameras. Its Osmo Pocket series became the go-to choice for vloggers, travellers, and content creators who wanted smooth, high-quality video in a tiny package. 

But this year, it’s not alone, no more. Insta360, a brand famous for its 360-degree cameras, has stepped into DJI’s backyard with the Luna Ultra, and DJI has fired back with the Osmo Pocket 4P. The result is an exciting battle in compact cameras we’ve seen in years.

Both the DJI Osmo Pocket 4P and the Insta360 Luna Ultra are pocket-sized gimbal cameras. That means they have a built-in stabiliser to keep your videos smooth even while you walk, run, or move around. Both cameras also come with two lenses: a wide-angle lens for landscape and general shots, and a zoom lens for getting closer to your subject. Coincidentally, this dual-lens design is a first for both brands in this category, and it’s one reason why everyone is talking about them.

DJI Osmo Pocket 4P

The Pocket 4P is DJI’s most advanced pocket camera yet. It carries a 1-inch main sensor with a 20mm wide-angle lens at f/2.0, paired with a second 60mm zoom lens at f/1.8, which DJI says is a “golden portrait” focal length, because it makes faces look natural and gives that blurry background effect people love.

The gimbal has an incredible 17 stops of dynamic range, up from 14 stops on the standard Pocket 4. This means the camera can capture both bright skies and dark shadows in the same shot without losing detail. It can record 10-bit D-Log2 colour.

On the performance side, the Pocket 4P can shoot 4K video at up to 240 frames per second for super-smooth slow motion. It has 103GB of built-in storage, and the battery is rated at 210 minutes; it can charge to 80% in just 18 minutes. The camera also gets ActiveTrack 8.0, DJI’s latest subject-tracking technology, which keeps your subject in frame even when you’re using the zoom lens.

The Pocket 4P weighs 230 grams and connects via Wi-Fi 6 and USB 3.1 for fast file transfers. It starts at around 3,799 yuan in China — roughly $525 USD — though global pricing is expected to land between $649 and $699.

There is one big catch, though. Because DJI has been placed on the US government’s FCC Covered List since late 2025, the Pocket 4P cannot be sold officially in the United States. 

Insta360 Luna Ultra

Insta360 announced the Luna Ultra in June, and it went on sale almost immediately. Unlike the Pocket 4P, it’s available globally — including in the US — at $769.99. That makes it a perfect option for American creators who can’t get their hands on DJI’s latest.

The Luna Ultra was co-engineered with Leica, the legendary German camera maker. It has a 1-inch main sensor with a Leica Summicron 20mm f/1.8 lens, and an 8K video recording mode, which the Pocket 4P does not offer. The second lens is a 60mm f/2.0 telephoto on a 1/1.3-inch sensor, offering 3x optical zoom that extends up to 6x in-sensor and 12x digital zoom. Both cameras, interestingly, land on very similar optical setups.

Where the Luna Ultra really stands out is its design. It has an industry-first detachable 2-inch OLED touchscreen that can be pulled off the body and used as a wireless remote control. The screen can also be reattached in a variety of positions.

The Luna Ultra runs a triple AI chip setup, with a 4nm AI processor and two dedicated imaging chips. It supports Dolby Vision recording, Insta360’s I-Log colour profile for post-production editing, and a 4K60fps PureVideo low-light mode. Its battery life is rated at around four hours, and the camera can charge to 80% in roughly 23 minutes.

The camera also offers Leica-branded colour filters for quick, cinematic looks. It weighs just over 200 grams. 

Head to Head: How Do They Compare?

Which One Is Right for You?

If you’re outside the United States and value the very best image quality, the DJI Osmo Pocket 4P is a really good option. It also edges ahead on built-in storage and fast charging. DJI’s software ecosystem, tracking technology, and accessory range are also well established.

However, if you’re in the US, or if 8K video recording, the innovative detachable screen, and a Leica-tuned look matter to you, the Insta360 Luna Ultra is the one to get. It’s pricier, but it’s available right now, it’s globally supported, and for a first-generation vlogging camera, Insta360 has done more than we could ask for.

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DJI has officially introduced the Osmo Pocket 4P, its first pocket gimbal camera to feature two main cameras.

The launch comes just weeks after the company rolled out the standard Osmo Pocket 4 with a 1-inch sensor, 4K 240fps slow motion, and improved tracking, and builds directly on that foundation while adding a zoom upgrade.

DJI Osmo Pocket 4P Specifications

As we mentioned before, the headline feature is the new dual-camera setup. The primary 1-inch wide-angle camera has a 20mm equivalent focal length and an f/2.0 aperture, and thanks to LOFIC technology, it can capture 17 stops of dynamic range. 

Alongside it sits a brand-new 60mm mid-telephoto lens with an f/1.8 aperture, offering 3x optical zoom and up to 12x total zoom for portraits and tighter framing that older Pocket models couldn’t handle well.

Both cameras support the new D-Log 2 color profile with 10-bit color depth. The Pocket 4P can also shoot 4K at up to 240fps for smooth cinematic slow motion and supports slow-shutter recording for light trails and motion blur effects.

Like the Osmo Pocket 4, the Pro model gets the same 3-axis mechanical gimbal treatment to keep footage steady while walking or tracking moving subjects. DJI has also upgraded its tracking software with Intelligent Follow 8.0, which adds multi-person tracking and subject-following zoom up to 12x.

For vloggers, there are real-time beauty adjustments including skin smoothing and tone warmth controls, plus six built-in film color presets. Pairing the camera with the DJI Mimo app unlocks further color grading presets and formulas.

On the hardware side, the Pocket 4P comes with 103GB of built-in storage, so recording without a memory card is possible. It supports USB 3.1 for transfers up to 800MB/s, and the battery is rated for up to 210 minutes with fast charging support. It also doubles as a webcam and supports Wi-Fi live streaming and web conferencing.

Price and Availability

The DJI Osmo Pocket 4P price starts at 3799 yuan (~ $561) for the standard package, which includes the camera, a fill light, a 1/4-inch grip, a storage bag, and a USB-C cable. 

The Vlog Kit costs 4299 yuan (~ $634) and adds a DJI Mic Mini 2 transmitter, a viewfinder remote, and a mini tripod. Pre-orders are open now in China, with global availability expected to follow.

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DJI has reached a surprisingly dominant position in Japan’s video camera market, with new sales data showing the company now controls more than 70% of the segment.

According to BCN Ranking data, DJI held a massive 72.5% share of Japan’s video camera market, marking the highest level the company has reached so far. For comparison, rival Insta360 reportedly accounted for around 12.5% during the same period.

A big part of that momentum appears to be coming from DJI’s Osmo Pocket lineup, especially the newly launched Osmo Pocket 4 and Pocket 4P. The compact gimbal camera only went on sale in late April, but it quickly climbed to the top of the sales rankings in Japan.

BCN says the standard Osmo Pocket 4 alone captured roughly 21.5% of all video camera sales in the country within just nine days of availability. Several other DJI models, including the Pocket 4P and older Pocket 3, also ranked near the top of the charts.

Interestingly, DJI’s rise seems to be boosting the broader market as well. Overall video camera sales volume in Japan reportedly jumped 158.1% year-over-year in April 2026, while total revenue increased by 135.2%.

The company’s success likely comes down to how well its products fit current content creation trends. Compact cameras with built-in stabilization have become increasingly popular among vloggers, travelers, and social media creators who want better video quality than smartphones without carrying large mirrorless setups.

The Osmo Pocket series in particular has carved out a strong niche by combining stabilized footage, simple controls, and relatively compact pricing in a device small enough to fit in a pocket.

DJI is still best known globally for drones, but over the past few years the company has been steadily expanding into creator-focused imaging products. The latest sales figures from Japan suggest that strategy is paying off in a major way, especially in a market traditionally dominated by long-established camera brands.

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Insta360 has clarified the pricing situation surrounding its upcoming Luna Ultra camera gimbal after early leaks sparked some concern online over the expected cost.

Earlier, tipster @DigitalChatStation claimed the device would launch at ¥5,299 for the body-only version and ¥6,499 for the full kit. Those numbers quickly drew attention because they would place the Luna Ultra far above typical consumer gimbal pricing in China.

In response, Insta360 CEO Liu Jingkang stepped in to explain that the leaked figures actually referred to overseas pricing converted into RMB. According to him, international pricing is higher due to cost issues, and the Chinese pricing will be noticeably lower. He even joked that the company “wouldn’t dare” sell it at those prices in China.

That clarification comes as interest in the Luna Ultra continues to grow ahead of its official launch. From everything revealed so far, the device seems aimed more at serious creators rather than casual users.

The Luna Ultra combines a three-axis mechanical gimbal with a Leica-branded dual-camera setup. The main camera uses a 1-inch sensor with an f/1.8 aperture, alongside a separate 3x optical telephoto lens. Insta360 is also promising support for 6x lossless zoom, 12x hybrid zoom, 6K 50fps recording, 4K 120fps video, Dolby Vision, and 10-bit i-Log recording.

One of the more interesting design choices is the detachable front handle. It attaches magnetically and can also function as a wireless remote. The module includes a 2-inch OLED display, joystick controls for the gimbal, zoom buttons, and recording controls, allowing creators to control the camera remotely while mounted in different positions.

The timing is also notable because the Luna Ultra is expected to compete directly with products like the DJI Osmo Pocket 4P. Official China pricing still has not been announced, but the CEO’s comments strongly suggest the domestic version will land at a much more aggressive price than the original rumors implied.

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(Source: Liu Jingkang on Weibo)

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DJI is about to launch the most ambitious Pocket-series camera it has made so far. The company has officially confirmed the global debut of the Osmo Pocket 4P, scheduled for May 14 during the Cannes Film Festival in France. Pre-orders are already live through DJI’s website, and early hands-on units have started appearing through Chinese media outlets and creators ahead of the announcement.

The biggest change this time is the camera setup itself. For the first time in the Pocket lineup, DJI is adding a second lens. The Pocket 4P combines the familiar 1-inch primary sensor from the standard Osmo Pocket 4 with a dedicated 3x telephoto camera, reportedly sitting around a 70mm equivalent focal length.

That may not sound like a huge upgrade at first, but it actually changes the way the Pocket camera can be used. Older Pocket models were mostly limited to wide-angle shooting, which worked fine for vlogging but wasn’t always ideal for portraits, interviews, or tighter cinematic framing. Adding a telephoto lens makes the Pocket 4P noticeably more flexible without forcing creators to rely heavily on digital zoom. Reports also mention a variable aperture system (f/1.7-f/2.8) for the main camera, alongside up to 12x hybrid zoom and around 6x “lossless” zoom depending on the shooting mode.

Outside of the camera hardware, DJI seems to be refining the rest of the experience rather than redesigning everything. The Pocket 4P reportedly supports 10-bit D-Log recording, upgraded ActiveTrack 7.0 tracking, and a larger 2.5-inch rotating touchscreen with brightness reaching 1000 nits. Battery capacity is also said to increase to around 2000mAh for longer recording sessions.

And of course, the signature 3-axis mechanical stabilization system remains one of the main selling points. DJI also appears to be pushing ecosystem integration more heavily this generation, with tighter compatibility expected between the Pocket 4P and the company’s microphones, drones, and creator accessories.

Pricing hasn’t been officially revealed yet, but the Pocket 4P is expected to sit above the standard Pocket 4 in DJI’s lineup. Availability in the US is still uncertain as well, since some recent DJI launches have faced regulatory complications there.

The Pocket 4P isn’t trying to replace larger mirrorless cameras, but it does seem aimed at creators who want more framing flexibility and better image quality without carrying around a full camera setup all day.

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(Sources: 1, 2)

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DJI is preparing to take the Pocket series in a slightly different direction this year. After several teasers on Chinese social media, the company has now confirmed that the upcoming Osmo Pocket 4P, sometimes shortened to Pocket 4 Pro, will launch globally. And unlike previous Pocket models, this one is focusing heavily on zoom and more flexible shooting options.

The biggest addition is a dedicated telephoto camera

The Pocket 4P keeps the same 1-inch primary sensor introduced on the standard Osmo Pocket 4, but adds a secondary 3x telephoto lens to the setup. That may not sound revolutionary on paper, but for a compact gimbal camera like this, it’s actually a pretty meaningful change.

One of the biggest limitations of previous Pocket models was that everything had to be shot through a single wide-angle lens. It worked well for vlogging, but portraits, tighter framing, and cinematic shots often relied heavily on digital zoom or cropping. The new telephoto camera changes that.

Early hands-on clips from China suggest the telephoto lens sits around a 70mm equivalent focal length and may use a fairly large 1/1.5-inch sensor. Reports also mention up to 6x “lossless” zoom and 12x maximum zoom overall, which should make the camera much more versatile for travel videos, interviews, and street-style shooting.

Outside of the second camera, the Pocket 4P seems to build directly on the standard Pocket 4. That model already introduced a few major upgrades compared to the Pocket 3, including 240fps recording at 4K, upgraded ActiveTrack, and a brighter rotating display. The upcoming Pocket 4P keeps all of that while adding the extra telephoto hardware. And of course, the signature 3-axis mechanical gimbal is still here, which remains one of the biggest reasons people buy Pocket cameras in the first place.

DJI has been teasing the device with the slogan “See More, Tell More,” which is honestly a pretty accurate summary of what this model seems designed for.

The rollout appears to start in China before expanding globally later. DJI pages for the device have already surfaced in markets like Canada and Mexico. Availability in the US is less clear, though. Similar to some recent DJI products, the Pocket 4P is reportedly facing regulatory hurdles tied to FCC authorization, and at least for now, it doesn’t appear on DJI’s US website.

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(Source: DJI)

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